The story
Giselle loves Albrecht without knowing that he is a nobleman already promised to someone else. When his deception is exposed, her world collapses. After her death, the action passes into the domain of the Wilis: spirits of betrayed women who force men to dance to their deaths. Giselle must confront the difference between their desire for revenge and her own attachment to Albrecht.
Origins and choreography
First performed in Paris in 1841, Giselle combines Adolphe Adam’s score with choreography originally credited to Jean Coralli and Jules Perrot. Later stagings by Marius Petipa helped transmit the ballet. The title therefore describes a continuing performance tradition, rather than one unaltered text.
LookBallet viewing guide
Compare the heroine’s movement before and after the change of world. Does a familiar gesture seem different when it becomes slower, lighter or more distant? Watch the ensemble’s response to Myrtha, and ask how the group makes an individual dancer appear vulnerable. You do not need to name the steps to follow these relationships.
Choosing a version
Start with a production’s choreographic credits. A contemporary reimagining and a classical staging can share the title while offering very different movement, settings and musical treatments. Compare the Paris Opera Ballet recording with Akram Khan’s interpretation for English National Ballet. Check each provider’s current access terms.
Sources and further reading
Sources reviewed: 15 October 2026. Viewing suggestions are LookBallet editorial guidance.
